Perspectives Vol 43 Resilient Taiwan

9 MARTINDALE CENTER FOR THE STUDY OF PRIVATE ENTERPRISE Kawin, B. F. (2012). Horror and the horror film. Anthem Press. Kellner, D. (1998). New Taiwan cinema in the 80s. Jump Cut, 42, 101–115. Korean Film Council. (2023). Yearly box office. Korean Film Biz Zone. Ladd, C. (2018). Beyond Godzilla: Reflections of national identity in Japanese horror films. Digital Commons@ Butler University. Lee, D.-M. (2012). A brief history of Taiwan cinema. [Adapted from D.-M. Lee. Historical dictionary of Taiwan cinema. Scarecrow Press.] Lee, D.-M. (2017). How cinema arrived and stayed in Taiwan. In N. Deocampo (Ed.), Early cinema in Asia (pp. 129– 139). Indiana University Press. doi: 10.2307/j.ctv3hvcfh Lin, F. (2024). Translation and transformation of Taiyupian: From gothic romance to “family complex.” In C. Berry, W. Ghermani, C. Neri, & M. T. Rawnsley (Eds.), Taiwanese language cinema: Rediscovered and reconsidered. Edinburgh University Press. Liu, F.-J. (2021, August 23). Semiosphere and Taiwan’s horror movies of the 1970s. The International Academic Forum Research Archive. Mon, Y.-F. (2014). Cinema as a sensory circuit: Film production and consumption in contemporary Taiwan [Ph.D. thesis]. University of London. doi: 10.25602/ GOLD.00009784 Motion Picture Producers Association of Japan. (2024). [National film overview in 2023]. Eiren.org. https://www. eiren.org/toukei/img/eiren_kosyu/data_2023.pdf Neri, C. (2015). Haunted island: Reflections on the Japanese Colonial Era in Taiwanese cinema. In Morris, A. D. (Ed.) Japanese Taiwan: Colonial rule and its contested legacy (pp. 171–184). Bloomsbury Academic. doi: 10.5040/9781474220026.ch-009 The Numbers. (2025). Market share for each genre 19952025. Nash Information Services. https://www.the-num bers.com/market/genres O’Brien, D. (2003). Spooky encounters: A Gwailo’s guide to Hong Kong horror. Headpress. Paciorek, A. (2018). Phantasms of the floating world: Tales of ghostly Japan. In Folk horror revival: Field studies. Wyrd Harvest Press. Pan, Y. (2023). Fragile national identity in Taiwanese historical film: A narrative analysis of selected case studies from the 1980s to 2010s. Annali Di Ca’ Foscari. Serie Orientale, 59, 129–156. doi: 10.30687/ annor/2385-3042/2023/02/005 Prohászková, V. (2012). The genre of horror. American International Journal of Contemporary Research, 2. Rawnsley, M. (2013). Taiwanese-language cinema: State versus market, national versus transnational. Oriental Archive, 81, 437–458. Ren, K. (2024). The rebellious slowness: Youth culture, political resistance and historical reminiscence in Taiwan new cinema [M.A. thesis]. McGill University. Taiwan Creative Content Agency. (2023). Key data of movie industry in Taiwan. Topley, M. (2011). Ghost marriages among the Singapore Chinese: (1955). In J. DeBernardi (Ed.), Cantonese society in Hong Kong and Singapore: Gender, religion, medicine and money. Hong Kong University Press. Wang, W.-J. (2013). Crossing borders in Taiwan new cinema: Historiography, popularity, postcoloniality [Ph.D. dissertation]. University of Exeter. Wen, L. J.-H. (2018). Magic lantern shows and screen modernity. In Yeh, E. Y. (Ed.). Early film culture in Taiwan, Hong Kong, and Republican China: Kaleidoscopic histories (pp. 51–70). University of Michigan Press. doi: 10.3998/mpub.9731616 Wu, I-Fen. (2006). Taiwanese New Cinema. In D. Eleftheriotis & G, Needham (Eds.), Asian cinemas: A reader and guide (pp. 364–368). Edinburgh University Press. Wu, Y. (2024). Haunted family: The representation of national identity in Taiwanese horror films. In B. Wilson & S. A. Osman (Eds.), The Asian family in literature and film. Palgrave Macmillan. Yi, C.-C., & Chang, C.-F. (2019). Family and gender in Taiwan. In J. Liu & J. Yamashita (Eds.), Routledge handbook of East Asian gender studies (pp. 217–235). Routledge. Zhang, Y. (2013). Articulating sadness, gendering space: The politics and poetics of Taiyu films from 1960s Taiwan. Modern Chinese Literature and Culture, 25, 1–46. NAĐA STOJANOVIĆ Nađa graduated with highest honors from Lehigh University in May 2025 with a B.S. in computer science. As an undergraduate, she served as head teaching assistant for a robotics class and a grader for several computer science classes. For her capstone project, she helped develop software for tracking patient adherence to tuberculosis treatment, which took her to the Philippines for fieldwork. She was also actively involved in research, contributing both to the Neural Engineering Lab and the Brain Imaging and Computation Lab. Nađa is currently pursuing an M.Phil. in cognitive neurosciences at the University of Cambridge.

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